Cinematography journey
Six years behind a cine camera, most of them spent learning that a frame is a decision about what to leave out rather than what to fit in.
Wedding films came first, and they taught the pace: one take, no second chance, a day that does not pause while you change a lens. Commercial, product and music video came after, and they taught the opposite discipline — coverage planned before anyone arrives, every setup already knowing where it lands on the timeline.
The habit both of them left me with is the same. I shoot for the cut, not for the gallery, and I hand over footage that already knows its edit.